The way of music development is a key point to understand music in terms of its structure. The most frequently used by composers are “sets”， organically composed of several musical fragments, and “collections”， varied and repeated by one single musical fragment. They have formed what we call “sketch collection”，“suite (collection）”or “variation”in traditional composition system. These genres are always Chinese composer’s favorites because we find those entitled “suite” （sketch collection included and “variation” much more employed than other types. Therefore，we compiled these two into one volume with three books for the readers to appreciate these two different styles.
编者的话……………………………………………………………… Ⅰ
EDITOR’S WORDS
序……………………………………………………………………… Ⅲ
PREFACE
卷首语………………………………………………………………… Ⅴ
FOREWORD
1、随想组曲—灵隐之声（储望华曲）…………………………… 1
CAPRICCIO SUITE: THE SOUND OF THE LINYIN TEMPLE - by Chu Wanghua
2、钢琴速写（王仁樑曲）………………………………………… 23
PIANO SKETCHES - by Wang Renliang
3、组曲—西子影集（莫凡曲）…………………………………… 32
PIANO SUITE: WEST LAKE PHOTO ALBUM - by Mo Fan
4、组曲—西藏素描（崔炳元曲）………………………………… 47
PIANO SUITE: TIBETAN SKETCHES - by Cui Bingyuan
5、钢琴曲三首（罗忠镕曲）……………………………………… 63
THREE PIANO PIECES - by Luo Zhongrong
6、箴言（蒋祖馨曲）……………………………………………… 71
THE MOTTOS - by Jiang Zuxin
7、组曲—版纳风情（夏良曲）…………………………………… 82
PIANO SUITE: LOCAL CUSTOMS OF XI SHUANG BANNA REGION - by Xia Liang
8、滇南山谣三首（张朝曲）……………………………………… 98
THREE MOUNTAIN BALLADS OF SOUTH YUNNAN - by Zhang Zhao
9、组曲—南国印象（朱践耳曲）………………………………… 105
PIANO SUITE: IMPRESSION OF SOUTH CHINA - by Zhu Jian-er
10、淡彩五帧（龚晓婷曲） ……………………………………… 126
FIVE LIGHT-COLOR PICTURES - by Gong Xiaoting
11、组曲—凉山音诗（章纯曲） ………………………………… 143
PIANO SUITE: TONE POEM OF LIANGSHAN MOUNTAINS - by Zhang Chun
12、九野（房晓敏曲） …………………………………………… 175
“JIU YE” ( THE SKY’S CENTER AND EIGHT DIRECTIONS ) - by Fang Xiaomin
13、中国戏（张纯曲） …………………………………………… 180
CHINESE LOCAL OPERAS - by Zhang Chun
附：作者与作品简介 ……………………………………………… 185
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