| 1 | The third chapter is devoted to the survival of Xuzhou story-telling opera and the relationship between Xuzhou story-telling opera and Han culture. | |
| 2 | Often the characters in Mr Solzhenitsyn' s books were one-dimensional, the tone sardonic, the detail turgid. | |
| 3 | It also concludes that Xuzhou story-telling opera a history of 300 years based on the family tree of the Chai. | |
| 4 | The second chapter introduces the basic profile of Xuzhou story-telling opera from the aspects of genre, subject, performance style and different schools. | |
| 5 | The fifth chapter studies the cultural connotation of Xuzhou story-telling opera, and analyzes its aesthetic and non-aesthetic features. |
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