1 | 同时通过这种方式,原节子使这些角色的虚构性展露了出来。
And in this way she exposed them for the fictions that they are. | |
2 | 但原节子总是以同样的方式作答:在侵入者的面前,小屋的门被砰然关上。
The answer is always the same - the door of the little house has been slammed in the intruders' faces. | |
3 | 屏幕上的形象已经为她所有,而且在任何情况下,如果不是在为原节子编写剧本的话,小津绝不会按此种方式创作其角色。
This screen persona became hers and, in any event, Ozu would not have created his character this way had it not been Setsuko Hara for whom he was writing. | |
4 | 自她于1935年初登银幕之日起,原节子第一次受到了严厉的批评,与引退之愿相比,其表达这种欲望的方式受到了更多的指摘。
For the first time since her 1935 debut she was severely criticized, not so much for wanting to retire as for the manner in which this desire was presented. | |
5 | 在原节子引退以来的这些年中,公众的愤怒、不满与失望都已一一褪去;只有那份坚定的好奇感依旧不减,此外还新添了一种钦慕之情。
Over the years since her retirement, public anger, pique, and disappointment have all faded. Only a hard-core curiosity has remained. This, and a new admiration. |